departure fashion night: backstage impressions

image

what really happened backstage at departure fashion night on friday evening

A show can last about 10 minutes, but the backstage action can run for hours. Edisa takes you behind the scenes, where the real show is. See how the models got ready for the tableau vivant, what they eat and how they have fun during their backstage time.

image

Sleek low ponytail for FEMME MAISON tableau vivant show

image

Beautiful bags from BRADARIC OHMAE collection

image

Style board for FEMME MAISON show

image

Eye-catching nails in gold

image

Golden eyebrows

image

Big hair for GON tableau vivant show

image

Fabulous model Angelina Wolf wearing colorful eyeshadow and sleek hair for Ute Ploier’s tableau vivant show

image

Models eat rice waffles to stay thin!

image

image

Shoes overloaded

image

It’s time to drink champagne, and dance on the table!

image

…always!

image

Models last fitting for Ute Ploier’s show

image

image

golden hands…

image

a bit more…

image

image

Photos (c) Edisa

departure fashion night at festival for fashion & photography

image

Das diesjährige 13 festival for fashion & photography, schloss mit der wunderbaren departure fashion night. Wir konnten tolle Wiener Mode von GON, Ute Ploier, Bradaric Ohmae undFemme Maison in einzigartigen Tableaux Vivants betrachten.

Der Abschluss des Festivals wurde gebührend mit gleich zwei After Parties gefeiert, die jedoch zugleich das Ende des Festivals in dieser Form markierten.

Wir freuen uns, Teil des 13 festival gewesen zu sein und darüber, dass wir viele tolle junge Designer und unzählige andere Modebegeisterte und interessierte Menschen kennenlernen durften.

Wir sagen danke an alle und freuen uns, was die Zukunft bringen wird!

Bianca & Edisa

Tableau vivant by BRADARIC OHMAE

image

image

image

image

image

image

Tableau vivant by UTE PLOIER

image

image

image

image

image

image

image

image

Tableau vivant by GON

image

image

image

image

Tableau vivant by FEMME MAISON

image

image

image

image

image

image

image

Photos (c) Edisa

departure / GON

Christina Steiner absolvierte 2009 die Modeklasse der Angewandten unter Veronique Branquinho und Raf Simons. Einige Zeit später gründete sie das Label GON, das ihr bereits internationale Anerkennung verschafft. So kann man ihre Mode nicht nur bei PARK im 7. Bezirk in Wien erstehen, sondern unter anderem auch in Kuwait oder in Kopenhagen. Außerdem war sie in den vergangenen zwei Jahren beim Showroom der Première Classe in Paris vertreten.

image

Die Designerin war Gewinnerin des letztjährigen EVOQUE NextGen Awards im Rahmen des 12 festival for fashion & photography. Zudem erhielt sie in den letzten Jahren zahlreiche Stipendien, was ein weiterer Beweis für ihre gute Arbeit ist.

Pro Saison besteht die Kollektion von GON aus ca. 5-10 verschiedenen Drucken so wie zahlreichen Schnitten, woraus eine Vielzahl an Variationen entsteht. Das besondere an GON ist jedoch, dass ein Druck einer vergangenen Saison nicht sofort „old season“ ist. So kann ein Shop einen Mix aus sämtlichen Schnitten und Mustern, die speziell auf seine Kunden zugeschnitten sind, bei Christina bestellen. Auf diese Weise können völlig neue Variationen entstehen und erhöht außerdem das Maß an Individualität.

image

Die Drucke, die Christina in ihre Arbeit integriert, sind von ihr handgemacht und stehen oft unter Einfluss der afrikanischen Kultur. Dies zieht sich wie ein roter Faden durch alle ihre Kollektionen. Außerdem findet sich vor allem bei den Sommerkollektionen Seide häufig wieder. Wer mehr von GON sehen möchte, sollte in den nächsten Wochen unbedingt bei PARK vorbeischauen, denn schon bald findet man dort die neue Frühjahrskollektion…

Für noch mehr Infos besucht bitte: http://gonvienna.com

///////////////////////////////////////////////////////

Christina Steiner is a graduate of Raf Simons and Veronique Branquinho at the University of Applied Arts Vienna of 2009. Shortly afterwards she established the label GON which procures international appreciation. That’s why her collections are not only available at PARK in the 7th district of Vienna but also amongst others in Kuwait or Copenhagen. Furthermore she attended the showroom of the Première Classe in Paris for the last two years.

The designer was the winner of last year’s EVOQUE NextGen Award in the context of the 12 festival for fashion & photography. Moreover she has been rewarded with several scholarships in the past years which is further proof of her good work.

Every season GON’s collection consists of 5-10 different prints and several patterns which results in a variety of combinations. The special aspect about GON however is that a print from a past season is not automatically “old season“. This means a shop can order a mixture of all cuts and prints that have ever been part of a collection. Hereby totally new variations can arise which increases the value of individuality.

The prints used in Christina’s work are handmade by herself and are often influenced by the African culture. This is also a common theme of all her collections. Additionally silk is a very common fabric in her summer collections. If you want to see more of GON you should head over to PARK in the next few weeks, the spring collection will hit the store soon…

For more information please have a look at: http://gonvienna.com

image

image

image

image

image

AFA Modepreis der Stadt Wien & departure: BRADARIC OHMAE

Yesterday I had the pleasure to meet Tanja and Taro, the designers behind Bradaric Ohmae. After a conversation about drinking Weißer Spritzer or non-alcoholic drinks, we also talked about different fashion scenes in Vienna and about the DIS magazine (Taro showed it to me, you should probably check it out too).

image

You presented your first collection “Pictures Seen” in 2011 after working for labels such as Balenciaga and Chloe. How was it for you guys to start something by yourself? What unexpected problems were you confronted with?
Tanja: You know it was kind of a funny story, more spontaneous than planned. We came back to Vienna after working and so we applied for the Unit F funding and eventually we got what we wanted and we didn’t even have two months to create something out of nothing. That’s how our first collection developed. We didn’t have to think about selling something afterwards. It was just for the show, so we could do whatever we wanted to, use fabrics we wouldn’t use now, etc.
Also “Picutes Seen” in 2011 was very experimental in cuts, fabrics and silhouettes. What has changed for the label since then?
Tanja & Taro: Yeah, as we said, we could do whatever we wanted to do. Now we have certain points we have to think about before creating and producing. We have to focus on how we spend our money when it comes to production and promotion, but we also need to think, for example, practical details on our clothes to satisfy our costumers.
And would you say you both work creative? Or do you split work?
Taro: Well, I guess, Tanja is more the controlling person, while I focus on the technical things. But of course there are things we do together as well and we always have an overview.
Tanja: Yeah, I always know what Taro’s working on and he always knows what I’m doing, I guess it wouldn’t be a teamwork otherwise.
So would you say that it’s easier to work as a team?
Tanja & Taro: Definitely. If you can trust each other.
Taro you’re from Japan and Tanja, you’re croatian. How is it to combine such different cultures?
Tanja: Actually it’s quite normal for us. We like to mix cultures and make new things out of them. Since we’re both not from Vienna, we take our cultures and mix them with the Austrian culture as well. The results are quite funny sometimes.
image
Are there any very extraordinary ways you find your inspiration, do you have any muses?
Tanja: The point is, everything can be an inspiration, you can see something on the street and it can be inspiring. You know, we see so many things, we get so much information from everywhere, it’s like a lot of bubbles we’re trying to combine to one big bubble.
Haha okay. So last question, who would you like to dress in the future? Is there like a perfect consumer, a celebrity?
Taro: I guess, there is not really one kind of a person or a particular celebrity. It’s about the way of thinking. We want our consumers to understand our things, have the sensibility to value our details and our fabrics. We want people who are searching for unique things, who understand the importance of quality and details.
image
questionnaire © Jonathan Jewgenij Pardus & Eva Zar
text © Eva Zar
photos © Eva Zar

©2012–2014 festival for fashion & photography

the friendly festival